Proiettori dotati di due lenti (lente di fuoco e lente di zoom) entrambe regolabili che permettono di ottenere proiezioni dai contorni precisi (a fuoco) e di ampiezza regolabile (zoom).
Sono dotati di forcella orientabile e di lamelle sagomatrici, che permettono di tagliare il fascio di luce ed ottenere proiezioni non solo circolari.
Vengono impiegati per un’illuminazione d’accento e di precisione, per sagomare forme e figure geometriche come quadri o elementi architettonici e per la proiezione di loghi ed immagini, dette gobos.
The Hyperion Series raises quality and power to an ultimate level of excellence thanks to the advanced LED technology, the rich control software, the
various personalities, and the use of the 4 or 6 colours sources for a much larger colour gamut and higher colour rendering.
DIMMING AND TUNGSTEN EMULATION FOR INCREDIBLY REALISTIC EFFECTS
To achieve maximum realism in emulating tungsten sources, the white adjustment of the tungsten curve offers the traditional orange toning effect while decreasing intensity, also known as Red /AmberShift. Option 2 curve includes the possibility of setting the delay in turning on and off typical of halogen lamps. With this appealing functions of the Hyperion Series, the white light will automatically shift to warmer tones as you dim down to zero, and you can even adjust the fade delay, so you can emulate the most common tungsten lamps as well as the bigger ones.
4 OR 6 COLOURS
The 4 or 6 colours sources technology opens up new possibilities and produces better colours than ever before.
Especially, the new generation of 6 colours LED engine generates rich saturates and subtle, theatrical pastels colours combining diodes that emit the usual primary red, green and blue colours with further sources amber, cyan and lime.
This combination allows the luminaire not only to emit a wider spectrum and with a more uniform curve, capable of producing white light with a colour temperature ranging from 1’500K to 20’000K, but gives also a minimum CRI of 94 and a maximum of CRI 97.
This funciotn allows to increase the light output of a single colour (+20%) when not all the channels are at full at the same time.
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